Instrument Effects

HYPERGRAVITY MINI COMPRESSOR - State-of-the-Art Multiband Compression with Advanced MD3 Multiband Dynamics Algorithm for Professionally Polished Tones

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Surrenders super high-gain fuzz with copious amounts of smooth low-end to all who dare plug into it. With a twist of the sustain control, you're taken from mild crunch to Armageddon! The filter control retains its trademark insane range of heavily filtered tones, distinguished by remarkable girth and sizzle and the loudness puts out enough volume to clobber any amp!
Newly added features include a tone stack scoop control that elicits classic Swollen Pickle mid-scoop or a flat, mid-frequency sweet and a crunch knob to adjust the compression intensity of the fuzz. Finally under the hood the Swollen Pickle Mk II has two internal mini controls; a voice control sets the intensity of the external scoop control from light to heavy mid-cut and a clip control varies between two sets of clipping diodes for smooth to opened fuzz sustain. A charter member of the Way Huge line has returned and just like when it debuted in 1997, it still has "œmore fuzz than a mouldy peach"!

• True hadrwire relay bypass
• Powered by 9 volt battery or AC adaptor (ECB003)
• Super high-gain fuzz with smooth low end
• Tone stack Scoop control
• Adjustable compression intensity

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BEAUTIFUL SUBTLE MODULATION The Spiral Array – Three beautifully formed, distinctly different chorus pedals in one box. THE SPIRAL ARRAY houses 3 classic chorus sounds, painstakingly recreated from the classic era of Chorus the mid 70’s to the mid 80’s. An analog chorus based on a thick lush 1976 Boss CE1, a spatial digital chorus based off the 1979 Roland Dimension D and the renowned uber rich sounding 1985 Dytronics Tri Stereo Chorus, All in one box. Learn More

With a versatile suite of controls, this pedal can be as simple or complex as you need. Whether you want to lengthen single notes or generate multi-layered soundscapes rich with ambience, this pedal will extend the creative potential of your instrument. Pull off chord voicings you never thought possible, compose transcendent melodies, orchestrate harmonic ensembles, create lively stereo pads, and more - all from a standard MXR housing.

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DARK MATTER DISTORTION - Phenomenal Distortion Pedal with Extreme Dynamic Range, Two-Band EQ and Voicing Switch

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WE UNDERSTAND.
YOU NEED YOUR SPACE.
The Tube Screamer Mini. New For 2015

Ibanez knows your pedalboard real estate is valuable. Here's a Tube Screamer made to help you manage that hallowed ground. Same legendary pedal. Same legendary tone.

• Controls: Overdrive, Tone and Level
• 100% Analog Circuitry
• True Bypass Switching
• Made in Japan
• Dimensions: 50.9 (W) x 92.6 (D)x 55.1 (H) (mm)
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The circa-1980 Electro-Harmonix Attack Decay is a sought after prize among vintage pedal aficionados. It was originally known as the Tape Reverse Simulator, producing volume and reverse swells, backward tape sounds, short staccato notes and bowed instrument effects. The new Attack Decay reinterprets the classic, stepping up the cool-factor with contemporary features & enhanced functionality. You can produce a ‘Mono’ volume envelope like the original, but now when engaged in ‘Poly’ mode, you can separate volume envelopes on each note you play. The built-in EHX-fuzz is a fully controllable distortion with gain, tone and volume. Adding the effects loop to place the volume envelope onto whatever signal is present at the Return jack. Expression pedal/CV input and three user presets give you total control over the Attack Decay!

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