Orange

Designed as a smaller, compact alternative to Orange's flagship PPC412, the Crush Pro CRPRO412 exudes the same rugged construction that makes Orange PPC speaker cabinets some of the most coveted in the music industry today.

The Getaway Driver is an amp-in-a-box type pedal with just three dials - Volume, Bite (tone) and Gain. While the pedal adds its vintage vibe on all amplifiers, it really excels when used with the amplifier's clean channel, even ones with a bright cap. It also makes a great clean boost, with low Gain and high Volume pushing amps over the edge into classic overdrive.

The Micro Terror is a global phenomenon. Taking its inspiration from the original Tiny Terror, this miniature incarnation couples a valve preamp to a solid state output section for enormous tones that makes a mockery of its pint-sized frame.

The Crush 12 is the smallest of the full-format Crush models designed for guitarists with a no-nonsense attitude to quality analogue tone. This single channel combo features a powerful 3 band EQ and dedicated Overdrive control for tones ranging from crisp and clean through to vintage Orange crunch.

Taking elements from Orange's flagship 4 Stroke and OB1 series bass amps, and with enough power for smaller venues, the Crush Bass 100 is a seriously versatile combo in both sound and application. Using high-end engineering techniques not usually found on combos of this type, the key to the Crush Bass 100's immensely fat and detailed tone is the amplifier's 100 Watt output section. The choice of discrete components (rather than common integrated circuits) gives the amp sensational levels of clarity across the entire spectrum, and the internal 15” speaker means that even the most subterranean frequencies come through loud and clear.

The Kongpressor is an analogue Class A compression pedal which adds an organic three dimensional quality to any rig. The pedal takes its inspiration from some of the world's most iconic vintage optical studio units, employing a re-issue of the famous vactrol VTL5C3 optocoupler that was responsible for the sound heard on countless hit records.