Dynamic Microphones

PROFESSIONAL DYNAMIC INSTRUMENT MICROPHONE

With a Wide Frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.

The D4 is lightweight, compact, and easy to position. Used for stage, studio, and broadcast applications, the D4 dynamic instrument microphone is designed with a Hypercardioid pickup pattern for isolation and feedback control. The D4 Hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.

AFFORDABLE DYNAMIC INSTRUMENT MICROPHONE

The Fusion Series microphones represent affordable excellence.

The f5 dynamic instrument microphone is an ideal choice for snare, toms, percussion, and acoustic instruments in live and studio applications. A Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

The f5’s low impedance and balanced output allow interference-free performance.

PROFESSIONAL DYNAMIC VOCAL MICROPHONE

The OM7 vocal dynamic microphone is used by professional sound companies, front of house and mixing engineers as well as high-profile fixed installations. The OM7 provides unprecedented gain before feedback on concert level stages without sacrificing sound quality. In addition, the mic is very resistant to feedback on extremely loud stages and for performers who tend to “cup” the microphone with both hands.

In order to achieve these extraordinary performance benefits, the OM7 dynamic vocal microphone is designed with an unconventionally low output level (8-10 dB lower than typical dynamic microphones). This low output level acts as a natural “pad” at the capsule in order to maintain high fidelity at the source. The OM7 Hypercardioid microphone is best suited for use with high-quality mixing consoles that have plenty of headroom to compensate for the low gain.

FireBall V (with Volume knob)

Designed for harmonicas (both diatonic and chromatic) and beatbox, the FireBall V has the added feature of a volume control knob. The Fireball V has a Wide Frequency response of 50 Hz – 16 kHz and is lightweight, compact, and comfortable to hold.

The FireBall V, with a Cardioid pickup pattern for isolation and feedback control, is equipped with a VLM™ diaphragm for natural sound reproduction with an exceptional transient response.

Because the FireBall V is a low impedance microphone, a quality, low-high impedance transformer (T50k) is required when using a guitar amplifier.