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Recording
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PreSonus StudioLive 16R 18 Input 16 Channel Series III Stage Box and Rack Mixer
One rack space to rule them all.
The StudioLive 16R digital mixer is four audio tools in a single rackspace. Use it as a standalone digital mixer with UC Surface remote mixing software. Pair it with your StudioLive Series III console mixer to use as a stage box or integrated monitor mixer. Connect it with EarMix 16M monitor mixers for the ultimate personal monitor system. Plug it into your studio computer, and you have a continuously bidirectional, 36-channel (18x18) USB audio interface with modeled vintage dynamics and EQ plug-ins on every input and bus. Whether used standalone or as part of a complete audio system, no other rackmount digital mixer is as flexible or as powerful.
Learn MoreRRP $2,116
SAVE $317$1,799
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PreSonus Sub8BT Bluetooth Subwoofer
Learn MoreCompact 8-Inch, Front-Firing Studio Subwoofer With Bluetooth® Wireless
Adding a subwoofer to full-range speakers enables you to hear the low-frequency foundation of your mix more accurately so you can make better-informed decisions and create more translatable mixes. The surprisingly loud, 100 watt Eris® Sub 8BT drops down to a molar-rattling 30 Hz, so you'll hear the full sonic spectrum and produce better mixes. For EDM and hip-hop producers, in particular, a subwoofer is a must-have.
Although compatible with a variety of full-range studio monitors, the Eris Sub 8BT compact studio subwoofer was designed to complement the voicing and frequency response of the full range of compact Eris studio monitors, from the ultra-affordable Eris 3.5 to the Eris Studio 5.
RRP $528
SAVE $79$449
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AUDIX ADX-M1250B-S MINIATURIZED CONDENSER MICROPHONE SHOTGUN
M1250B-S Shotgun
The M1250B is a Miniaturized Cardioid condenser microphone with a fully integrated preamp, detachable cable, and has RF immunity to prevent interference from cell phone and GSM devices. The M1250B is also available with Hypercardioid, Omni, or Shotgun capsules, giving the microphone the unique ability to be used in a wide variety of stage, studio, and broadcast applications.
The M1250B condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for acoustic instruments, choral miking, overhead stage miking, podiums, conferences, and presentations.
Learn MoreRRP $975
SAVE $146$829
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SPL MERCURY MASTERING D/A CONVERTER
Mastering D/A Converter
Mercury is the first mastering DA-converter in 120V technology. It offers seven digital stereo input sources, all of which can be synchronized with each other or with a word clock. The additional variable output qualifies Mercury as a monitor controller.
Seven Digital Sources
Mercury provides connections for a total of seven digital stereo input sources.
For each digital source there is a dedicated and illuminated tactile switch for quick selection and quick comparison.
The detected sample rate is shown in the display.
One USB input and two coaxial, two optical and two AES/EBU inputs are available. AES input 2 also supports Dual-Wire (DW) mode.
Sync
The display shows the synchronization status and the detected sampling rate. Any source except USB can be synchronized to another source or to an external Word Clock.
If the sync “Source” is selected in the display, each source uses its own sync code embedded in the signal.
0 dBfs
Holding the Sync button for more than two seconds Mercury will change to the 0dBfs display.
Mercury offers all reference levels in dBu corresponding to a 0 dBfs (full scale) digital signal: +14, +15, +16, +17, +18, +20, +22 and +24 dBu
Fix & Var
The FIX OUT is an analog balanced stereo output which can be calibrated to all common reference levels (see 0 dBfs).
Mercury offers a variable analog balanced stereo output. This output provides the same signal as the FIX OUT, but the level is continuously adjustable. Thus Mercury can also be used as a state-of-the-art monitor controller.
Variable Output
Learn MoreThis analog potentiometer is used to control the level of the VAR OUT output. We use the ALPS RK27 “Big Blue” potentiometer with a nice “spoon in honey” feel and excellent channel tracking. So not only the auditory but also the haptic experience of volume control is at the highest level.
RRP $5,881
SAVE $882$4,999
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Behringer DEEPMIND 12D Desktop Polyphonic Synth
True Analog 12-Voice Polyphonic Desktop Synthesizer with 4 FX Engines, 2 OSCs and LFOs per Voice, 3 ADSR Generators, 8-Channel Modulation Matrix, 32-Step Control Sequencer, Tablet Remote Control and Built-In Wifi
Learn More$1,129 -
Icon iPlug M Studio Quality Condenser Microphone for iOS, iPad, iPhone
iPlug M
Studio-quality condenser microphone for Apple iPad, iPhone and iPod touch
Ideal for vocal or instrument recording
Extended response for smooth, natural sonic characteristics
Accurate cardioids pattern for added immunity to feedback
Extremely high sensitivity
Rugged all-metal construction and on/off switch
Dent-resistant spring steel grille with integrated windscreen
Corrosion-resistant gold-plated XLRM-type connector
On/Off switch equipped
Battery operation for maximum versatility
iPad, iPhone or iPod touch compatible cable included.
Carry bag included.
Learn MoreRRP $54
SAVE $8$46
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LD SYSTEMS LD VIBZ 10 C - 10 CH ANALOGUE MIXER
- 10-channel mixer with 4 microphone channels
- 4 stereo line inputs
- Effective 3-band EQ
- 2 stereo channels with 2-band EQ
- Sliding adjustable compressor
- Master, Monitor and headphone outputs
- Securely fastening external power supply
RRP $469
SAVE $70$399
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AUDIX ADX-M1280B-C MINIATURIZED CONDENSER MIC CARDIOID
M1280B
The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.
The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.
Learn MoreRRP $881
SAVE $132$749
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SPL CHANNEL ONE MK3
The perfect front-end for the modern producer.
For over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.
In the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.
The new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.
Learn MoreRRP $4,704
SAVE $705$3,999
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PreSonus AudioBox USB96 Black Studio Bundle
Everything you need to record and produce
Start recording today with this complete, all-PreSonus package! Based on the AudioBox USB 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.
Learn MoreRRP $471
SAVE $72$399
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PreSonus HP4 4 Channel Headphone Amplifier
Now hear this!
Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!
Learn MoreRRP $329
SAVE $50$279
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Peavey CM1 Handheld Condenser Microphone with XLR-XLR Cable
The Peavey CM1 is a handheld condenser microphone with a cardioid polar response ideal as a main or support microphone in studio and live applications. The Peavey CM1 is suited for recording engineers looking for affordable, high quality recording mics. The CM1 contains a medium-format condenser element designed to handle SPL levels up to 136 dB while maintaining a clean, natural sound. It has a sensitivity of -43 dBv per pascal and a low noise floor, equivalent to only 24 dB SPL. The built-in shock mount reduces handling noise considerably, making the CM1 ideal for close-range vocal or instrument pickup. The frequency response is tailored to give a crisp, clean, intelligible sound from 50 Hz to 16 kHz. The CM1 is equipped with a dual-layer pop filter to reduce pops and wind noise. Learn More$199 -
AUDIX ADX-DPPREMIER8 ELITE 8 PIECE PRO DRUM MICROPHONE PACK
The DP Elite 8 professional drum pack is the ultimate set to mike up a 5 piece drum kit.
Included in the DP Elite 8 drum microphone package is:
- One legendary D6 Kick Drum Mic
- Two D2’s for rack toms
- One D4 mic for floor tom
- One i5 for snare
- A pair of SCX1C’s for overhead miking
- One SCX1HC for hi-hat
- Also included are four DVICE rim mounts and clips
RRP $4,704
SAVE $705$3,999
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AUDIX ADX-VX5 PREMIUM CONDENSER VOCAL MICROPHONE FOR STAGE
The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.
With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback, and handles very high SPLs without distortion.
Designed with a tight and uniformly controlled superCardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grille with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.
In addition to vocal applications, the VX5 superCardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats, and pianos.The VX5 requires 18 – 52 V phantom power.
Learn MoreRRP $587
SAVE $88$499
