Recording

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  • SPL FRONTLINER W/ LUNDAHL CONVERTERS

    Our flagship channel strip

    The Frontliner has everything to record voices and instruments in perfect quality: Positioned even above the already legendary Channel One, the Frontliner combines preamp, de-esser, EQ and compressor, tube saturation, which can be used individually or in combination.

    RRP $5,057
    SAVE $758

    $4,299

  • PreSonus HP2 Personal Headphone Amplifier

    Ear-Pleasing sound.

    Designed for musicians and performers who demand mobility without compromising audio quality, the HP2 personal headphone amplifier is a great choice for driving wired in-ear monitors (IEMs), as well as headphones. PreSonus HP-series headphone amplifiers have long been popular for their loud, clean, clear sound and roadworthy built quality. The new HP2 delivers these qualities in an easily affordable, stereo device so you’ll hear every note and beat clearly wherever your music takes you.

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    RRP $224
    SAVE $35

    $189

  • Peavey PV Series PV15M Passive 500W 15" Floor Monitor

    Hear the whole band with astonishing clarity and punch! The PV15M is a two-way system with a 15-inch Sheffield® Pro 1500+™ premium woofer and a 14T™ 1.4-inch titanium-diaphragm compression driver (no piezos) coupled to a constant-directivity horn with Sound Guard™ IV high-frequency driver protection. Learn More
    $549
  • AUDIX ADX-STE8 PREMIUM 8 PIECE STUDIO MICROPHONE PACKAGE

    PREMIUM 8-PIECE STUDIO MICROPHONE PACKAGE

    Designed, assembled, and tested by Audix in the USA, The Audix D Series, and i5 represent the finest dynamic instrument microphones available today. Combined with the SCX25A and the SCX1HC, Audix offers the Studio Elite 8 (STE8) – a compelling array of eight drum microphones that will suit a wide variety of needs for critical recording applications. This collection of microphones enables artists and engineers to capture the sound at the source, regardless of the type of instrument or genre of music.

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    RRP $5,292
    SAVE $793

    $4,499

  • AUDIX ADX-ADX51 PENCIL CONDENSER MICROPHONE

    PROFESSIONAL ELECTRET CONDENSER MICROPHONE WITH PAD AND ROLL-OFF

    The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.

    Characterized with a uniformly controlled Cardioid polar pattern, the ADX51 condenser microphone is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a Wide Frequency range of 40 Hz – 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz.

    The ADX51 Cardioid studio condenser microphone is very easy to position, durable, and manufactured to high standards and tight tolerances. The ADX51 has a precision machined brass body, durable Black E-coat finish, steel mesh grill, and gold plated XLR connector.

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    RRP $587
    SAVE $88

    $499

  • SPL PHONITOR 3

    The headphone amplifier and monitoring controller with 120V technology

    Phonitor 3 is the ultimate headphone amplifier and monitoring controller with 120V technology. It offers the same monitoring quality as the big SPL mastering consoles –
    on loudspeakers and headphones.

    The analog Phonitor Matrix allows mixing and mastering on headphones in the highest quality – with the same spatial perception of the stereo stage as on loudspeakers.

    Three analog XLR stereo inputs for various sources and a wide range of monitoring options make it the perfect monitor controller for demanding producers and mixing/mastering engineers.

    Phonitor 3 can be equipped with the optional Expansion Rack, which is not only a 19″ rack housing, but it also expands the connection possibilities with three additional switchable stereo outputs for active loudspeakers or power amplifiers.

     

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    RRP $4,116
    SAVE $617

    $3,499

  • PreSonus FaderPort 8 8-Channel Mix Production DAW Controller

    Don’t kill that mouse-give it a companion.

    Although a keyboard and mouse are tried-and-true DAW-control devices, they’re far more effective when used in tandem with the FaderPort 8’s precise tactile control over mix and automation functions. With 8 touch-sensitive, motorized, 100 mm faders and 65 buttons covering 78 different functions, you can quickly zoom in on audio files for editing, adjust your click-track tempo with a simple tap, modify plug-in parameters, manage aux mixes-and, of course, control track levels with the touch of a finger. With the FaderPort 8, you’ll enjoy the fastest, most efficient workflow you’ve ever experienced.

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    RRP $1,176
    SAVE $177

    $999

  • Yamaha HS7

    2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter 43Hz - 30kHz (-10dB), 55Hz - 24kHz (-3dB) frequency response 60W LF plus 35W HF bi-amp system for high-performance 95W power amplification ROOM CONTROL and HIGH TRIM response controls XLR and TRS phone jack inputs accept balanced or unbalanced signals Packaging single Learn More

    RRP $399
    SAVE $60

    $339

  • AUDIX ADX-DP8 8 PIECE PRO DRUM MICROPHONE PACKAGE

    DP8
    Professional Drum and Instrument Mic Package

    The DP8 drum pack is a premium ensemble of microphones designed to mic a five-piece kit with accuracy and fine control. Kick, snare, rack toms and floor tom mics feature Audix VLM TM capsule technology for natural and precise sound reproduction in high SPL applications. The ultra-compact M1280BHC hi-hat mic
    and M1280B overhead cymbal mics capture complex timbres and wide dynamic ranges. Included are DVICE rim mounts eliminating the need for bulky mic stands.

     

    • Professional set of 8 drum mics for stage or studio
    • Mics work in tandem to replicate each drum accurately and independently
    • M1280 condensers for overheads and hi hat perfectly reproduce transients and timbre
    • Easy to set up and position

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    RRP $3,175
    SAVE $476

    $2,699

  • AUDIX ADX-A150 STUDIO REFERENCE HEADPHONES W/ CASE & 1.8M CABLE

    STUDIO REFERENCE HEADPHONES

    The A150 is designed with one goal in mind: to reproduce music with accuracy throughout the full frequency range with a smooth, balanced linear response.

    Featuring 50 mm phase-coherent drivers, the A150 headphones are designed to be worn for hours without listening fatigue.

    With exceptional isolation, free from the artifacts of noise cancellation, the A150 headphones are intended for studio engineers, DJ mixers, and anyone who enjoys high-quality audio.

    RRP $410
    SAVE $61

    $349

  • SPL GAINSTATION1 W/ AD CONVERTER

    Class A & Tube Microphone and Instrument Preamplifier

    The GainStation 1 is a discrete high-end preamplifier that combines Class-A clean gain with high-sounding tube gain and operates with an operating voltage of 60 V.

    Class-A meets Tube

    The GainStation 1 is a hybrid preamplifier consisting of a discrete Class A transistor stage and tube stage. The hybrid design of the preamplifier combines the advantages of semiconductors (high dynamics with low distortion, low noise) with the musical qualities of tube sound (pleasant high/overtone spectrum, beautiful three-dimensionality).

    The Class A transistor preamplifier is based on our DMPA operational amplifiers, which operate with an operating voltage of +/- 30 V.

    The preamplifier has a Butterworth Hi Pass filter, polarity inversion, impedance selection, 48 V phantom power and a limiter.

    Clean Gain

    The Clean Gain stage is a balanced instrumentation amplifier built with our DMPAs (Discrete Mic Pre Amp, 60 Volt rail). 

    In Class A mode, both end transistors always remain in a conducting state, thus avoiding crossover distortion.

    With a slew rate of over 100 V/µs, it is capable of amplifying even fast details and high frequencies cleanly and with low distortion.

    Tube Gain

    The tube gain stage is equipped with a 12 AX 7 LPS. It impresses with good noise figures and an open and clear sound image.

    As decoupling capacitor a WIMA MKP type is used, which is very generously dimensioned with 2.2 µF, in order to work clean and powerful also in the bass range.

    HiZ/Line Input

    The instrument input is a discrete impedance converter that also operates in class A mode. The core is a low-noise field-effect transistor, which is ideally suited as an impedance converter due to its very high input resistance.

    Input & Output Stages

    The input differential amplifiers are constructed with closely toleranced and thermally coupled transistor pairs.

    The output stage operates as a current amplifier, which also offers pure class A operation with over 6mA quiescent current. DC voltage components are eliminated with an active servo circuit instead of coupling capacitors.

    AD Input 2

    The optional converter has two channels and can therefore convert an external mono signal in parallel with the GainStation 1.

    Features

    • Separately controllable transistor and tube preamplifiers
    • The (switchable) tube stage delivers subtle to brutal tube saturation
    • Only high-quality MKP film capacitors are used in the tube stage
    • Peak/FET Limiter
    • Polarity-reversal stage
    • 48-Volt phantom power
    • LED level indicator
    • Switchable impedance adjustment for the microphone input (200 Ω, 1,2 kΩ & 10 kΩ)
    • Discrete operational amplifiers in Class A technology instead of industrial ICs
    • Amplifier slew rate of <100 V/µs
    • Gas-encapsulated relays with gold-plated contacts
    • Resistors with 0.1 % tolerance in the entire audio path
    • Power supply with double shielding, each voltage with its own winding and regulation

    Included AD 192K Converter Module 1090

    The 24 bit converter module provides an SPDIF output which is available as coaxial and optical output.

    The internal sampling rate can be set with switches to 44.1, 48, 88.2 and 96 kHz. Other sampling rates (32, 176.4, 192 kHz) can only be set with an external synchronization signal.

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    RRP $2,822
    SAVE $423

    $2,399

  • Behringer XENYX QX1832USB Mixer

    Premium 18-Input 3/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface

    Learn More
    $639
  • PreSonus AudioBox GO Creator Bundle

    World-Class Recording Software Included

    The AudioBox Go Creator bundle comes with 6 months of Studio One+ with access to Studio One DAW recording software, add-ons, and more. Studio One is intuitive, easy to learn, and enables you to compose, record, and produce without getting distracted.

    AudioBox GO 2x2, 24-bit / 96 kHz, USB-C Recording Audio Interface

    Surprisingly powerful, and small enough to fit in your pocket, AudioBox GO gives you all the connections you need to record on the move or in your home studio. Compatible with both computers and mobile devices, the AudioBox GO is perfect for anyone who wants to get started recording fast.

    HD7 Professional Monitoring Headphones

    Our high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Whether you're monitoring, tracking, mixing, or just listening for pleasure, you can expect impressive sonic performance from your HD7 headphones.

    M7 Cardioid Condenser Microphone

    The M7 boasts a warm frequency response that flatters the human voice. And thanks to the M7's cardioid polar pattern, the M7 will brilliantly record the sounds you point it at, while downplaying the sounds you don't. Last but not least, the M7 can rock hard when asked: Its 134 dB of SPL handling lets it wrangle loud instruments like cracking snare drums or electric guitar amps worry-free, something more expensive mics can't always do.

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    RRP $328
    SAVE $49

    $279

  • AUDIX ADX-A231 LARGE DIAPHRAGM CONDENSER MICROPHONE

    The A231 is a large diaphragm condenser microphone built for the most discerning studio user.

    With its externally-biased “true condenser” capsule and low-noise circuitry, the A231 is able to capture the nuances of the human voice as well as the rich overtones of acoustic instruments with natural warmth and in stunning detail. An exceptionally consistent Cardioid polar pattern focuses on the performance while offering smooth off-axis rejection.

    Features

    • 33 mm externally-biased condenser capsule
    • 25% greater effective diaphragm area
    • Cardioid polar pattern
    • Proprietary internal shock mount
    • Low noise preamp circuitry
    • Machined aluminum body with gold-plated brass band
    Learn More

    RRP $1,763
    SAVE $264

    $1,499

  • AUDIX ADX-OM3S MULTI-PURPOSE DYNAMIC MIC & ON/OFF SWITCH

    MULTI-PURPOSE VOCAL AND INSTRUMENT DYNAMIC VOCAL MICROPHONE

    The OM3S is a vocal dynamic microphone used for a wide variety of stage, home, and studio applications. This microphone has clear and accurate sound reproduction, resistance to feedback, and the ability to handle very high SPLs without distortion.

    The OM3S dynamic vocal microphone utilizes a tight, uniform pattern which helps isolate vocals from the instruments on stage. With a Wide Frequency range of 50 Hz – 18 kHz, the OM3 employs a VLM™ diaphragm for a clear, precise sound with exceptional voice response.

    Designed with slight bass proximity and a tailored mid-range, the OM3 Hypercardioid microphone has a full-bodied sound on small to mid-sized PA systems while retaining true sound on large or professional PA systems.

    Learn More

    RRP $351
    SAVE $52

    $299

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