• 24-channel mixer with 16 mono and 4 stereo channels
• Balanced mic and line inputs
• 3-band EQ with semi-parametric mids
• 4 aux sends, 2 pre or post fader switchable
• 8 mono channels with inserts and compressor
• Channel routing, mute and PFL switches
• 48V phantom power
• 4 subgroups with individual outputs
• 24-bit digital effects and global 7-band graphic EQ
• Balanced and unbalanced main outputs
• Control room and headphone outputs
• 10 Hz – 45 kHz frequency response
• integrates 16 bit/48 kHz USB audio interface
• 3-band EQ with semi-parametric midrange regulating on mono channels
• 4-band EQ on stereo channels

A versatile preamp with impressive dynamic range and detail.

Compact and affordable, the ever-popular TubePre V2 professional tube preamplifier employs our popular XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A dual-servo (no capacitors) gain stage lets you boost the signal to smoking hot levels without significantly increasing noise. Discrete components and high-voltage operation offer dynamic range and detail not found in other single-channel tube preamps in its class. Built tough enough for serious gigging, the TubePre V2 is a great choice for guitars and microphones alike.

PROFESSIONAL ELECTRET CONDENSER MICROPHONE WITH PAD AND ROLL-OFF

The ADX51 is a professional pre-polarized condenser microphone used for stage, studio, and broadcast applications. The ADX51 is known for its clear, accurate response and flexibility to handle close or distance miking for a wide variety of acoustic instruments.

Characterized with a uniformly controlled Cardioid polar pattern, the ADX51 condenser microphone is designed to capture the acoustics of the instrument being miked while at the same time isolating it from the rest of the instruments on stage. With a Wide Frequency range of 40 Hz – 18 kHz, the ADX51 features a 14 mm gold vapor diaphragm and a -10 dB pad and bass roll-off filter at 150 Hz.

The ADX51 Cardioid studio condenser microphone is very easy to position, durable, and manufactured to high standards and tight tolerances. The ADX51 has a precision machined brass body, durable Black E-coat finish, steel mesh grill, and gold plated XLR connector.

Built by musicians, for musicians.

StudioLive AR8 USB 8-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’ famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.

DP8
Professional Drum and Instrument Mic Package

The problem solver.

“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s because the HP60 is more than a half-dozen headphone amps; it’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.