Recording

Active monitor speaker featuring XLR and TRS phone jack inputs that accept balanced or unbalanced signals. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter. Each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.

Active monitor speaker featuring XLR and TRS phone jack inputs that accept balanced or unbalanced signals. Featuring a bi-amp design with a separate dedicated amp for both the woofer and the tweeter. Each HS Series speaker consistently delivers high-resolution sound with exceptionally flat response across the sound spectrum.

2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter.

• 2-way bass-reflex bi-amplified nearfield studio monitor with 8" cone woofer and 1" dome tweeter
• 38Hz - 30kHz (-10dB), 47Hz - 24kHz (-3dB) frequency response
• 75W LF plus 45W HF bi-amp system for high-performance 120W power amplification
• ROOM CONTROL and HIGH TRIM response controls
• XLR and TRS phone jack inputs accept balanced or unbalanced signals

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Take command of your monitors.

You need to be able to switch between multiple sets of monitors and hear what your mix sounds like with and without a subwoofer. You want to be able to switch between multiple analog and digital sources. And you want to do it without sacrificing clarity and transparency. Meet the Central Station PLUS, the professional’s choice for monitor control.

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2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter. 2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter 54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response 45W LF plus 25W HF bi-amp system for high-performance 70W power amplification ROOM CONTROL and HIGH TRIM response controls XLR and TRS phone jack inputs accept balanced or unbalanced signals Packaging single Learn More

The third generation of the acclaimed MG Series deliver high quality sound for a diverse range of mixing environments.These compact mixing consoles feature D-PRE microphone preamps, line inputs, XLR balanced outputs, 48V phantompower and a rugged metal chassis. XU models include Steinberg Cubase AI DAW software (downloadable version). Learn More

Premium 18-Input 3/2-Bus Mixer with XENYX Mic Preamps & Compressors, KLARK TEKNIK Multi-FX Processor, Wireless Option and USB/Audio Interface

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The RH-200S headphones offer the clarity, sonic accuracy, and comfort needed for mixing and silent practice. Learn More

The X-TOUCH COMPACT Universal USB/ MIDI Controller gives you precise control over your favorite DAW, instruments, effects and lighting systems with the fluidity of 9 touch-sensitive and fully- automated motorized faders, 16 rotary encoders with LED collars – and 39 illuminated buttons. Free yourself from the mouse-click paradigm with X-TOUCH's preconfigured presets – or customize your own configurations to master the art of on-the-fly adjustments as ever before!

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A dual-personality preamp with an amazing variety of tones.

Compact, affordable, and capable of a stunningly wide range of tones, the BlueTube DP V2 dual-path mic/instrument preamplifier offers two independent channels, each with an XMAX Class A solid-state preamp, followed in the signal path by a 12AX7 vacuum-tube stage. A Tube Drive control provides a wide range of sounds: When clicked off, you’re using the solid-state preamp for quiet, transparent amplification; when engaged, your signals flow through the tube preamp, and you can achieve anything from gentle warmth to edgy distortion. Equipped with instrument and mic inputs and built tough for serious gigging, the BlueTube DP V2 is a great choice for guitarists, bassists, singer/songwriters, and more.

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Behringer 2600 BLUE MARVIN, a limited edition, ultra-affordable and even more feature-packed homage to the iconic ARP 2600 synthesizer. Compared to the original Behringer 2600, the BLUE MARVIN features a mechanical spring reverb, hand-picked components, uni-color LEDs on each fader plus a super slick paint job that’ll make your setup pop! Conjure up virtually any sound imaginable with incredible finesse and ease. The pure analog signal path is based on the authentic ARP 2600 circuitry from the 70s with matched transistors and JFETs. Owning a BLUE MARVIN is like having your piece of history enabling you to re-create timeless classics or forge your own musical path. Learn More

The RØDE M3 is a highly versatile end-address condenser microphone, designed to be completely at home in the studio, on stage or on location. It is equally suitable as an instrument microphone for guitars, drums and percussion or even vocals.

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The all-new PV® 14 AT mixers come equipped with Antares® Auto-Tune® pitch correction, a technology that can literally help anyone sing in key and is used on professional recordings and live performances throughout the world. This technology is incorporated directly into a complete and powerful portable mixing solution, ensuring that your audience will experience perfectly tuned vocals to complement the crystal-clear audio of the mixer. Learn More

The Peavey CM1 is a handheld condenser microphone with a cardioid polar response ideal as a main or support microphone in studio and live applications. The Peavey CM1 is suited for recording engineers looking for affordable, high quality recording mics. The CM1 contains a medium-format condenser element designed to handle SPL levels up to 136 dB while maintaining a clean, natural sound. It has a sensitivity of -43 dBv per pascal and a low noise floor, equivalent to only 24 dB SPL. The built-in shock mount reduces handling noise considerably, making the CM1 ideal for close-range vocal or instrument pickup. The frequency response is tailored to give a crisp, clean, intelligible sound from 50 Hz to 16 kHz. The CM1 is equipped with a dual-layer pop filter to reduce pops and wind noise. Learn More

Now hear this!

Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!

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