Microphones

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  • AUDIX ADX-VX5 PREMIUM CONDENSER VOCAL MICROPHONE FOR STAGE

    The VX5 is a multi-purpose, professional vocal condenser microphone designed for stage, studio, and broadcast applications.

    With an ability to duplicate studio-quality sound on stage, the VX5 has a smooth and accurate frequency response, resistance to feedback, and handles very high SPLs without distortion.

    Designed with a tight and uniformly controlled superCardioid polar pattern, the VX5 condenser vocal microphone helps isolate vocals from the rest of the stage. Other features include a 14 mm gold vapor diaphragm, an acoustically ported steel mesh grille with a multi-stage pop filter, and a -10 dB pad and bass roll-off filter. The VX5 will handle SPLs in excess of 140 dB (with pad and roll-off engaged) and will provide over 20 dB of ambient noise rejection on live stages.

    In addition to vocal applications, the VX5 superCardioid microphone is designed to capture instruments such as guitars, woodwinds, brasses, percussion toys, drum overheads, hi-hats, and pianos.The VX5 requires 18 – 52 V phantom power.

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    RRP $587
    SAVE $88

    $499

  • AUDIX ADX-DPPREMIER8 ELITE 8 PIECE PRO DRUM MICROPHONE PACK

    The DP Elite 8 professional drum pack is the ultimate set to mike up a 5 piece drum kit.

    Included in the DP Elite 8 drum microphone package is:

    • One legendary D6 Kick Drum Mic
    • Two D2’s for rack toms
    • One D4 mic for floor tom
    • One i5 for snare
    • A pair of SCX1C’s for overhead miking
    • One SCX1HC for hi-hat
    • Also included are four DVICE rim mounts and clips
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    RRP $4,704
    SAVE $705

    $3,999

  • AUDIX ADX-D4 PROF DYNAMIC INSTRUMENT MICROPHONE FOR LOW END

    PROFESSIONAL DYNAMIC INSTRUMENT MICROPHONE

    With a Wide Frequency response of 40 Hz – 18 kHz and the ability to handle SPLs in excess of 144 dB, the D4 dynamic instrument microphone is an excellent choice for miking instruments requiring precise, low-frequency reproduction such as large rack toms, floor toms, cajon, djembe, tympani, leslie bottom, bass flute, saxophone and baritone saxophone, trombone, acoustic bass, bass cabinets, and small kick drums.

    The D4 is lightweight, compact, and easy to position. Used for stage, studio, and broadcast applications, the D4 dynamic instrument microphone is designed with a Hypercardioid pickup pattern for isolation and feedback control. The D4 Hypercardioid is also equipped with a VLM™ diaphragm for natural accurate sound reproduction.

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    RRP $387
    SAVE $58

    $329

  • AUDIX ADX-SCX1-MP PROFESSIONAL STUDIO CONDENSER MATCHED PAIR

    The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

    Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

    With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

    Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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    RRP $2,587
    SAVE $388

    $2,199

  • AUDIX ADX-F6 FUSION DYNAMIC BASS & KICK DRUM MICROPHONE

    AFFORDABLE DYNAMIC BASS AND KICK DRUM INSTRUMENT MICROPHONE

    The Fusion Series microphones represent affordable excellence.

    The f6 dynamic instrument microphone is designed for instruments requiring bass reproduction in live and studio applications. The f6’s Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sounds on stage.

    The f6 instrument microphone has low impedance and balanced output providing interference-free performance.

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    RRP $281
    SAVE $42

    $239

  • TAMA – MS200 STRAIGHT MIC STAND 6/C

    Product description coming soon Learn More
    $149
  • AUDIX ADX-DP5-MICRO 5 PIECE DRUM MICROPHONE PACK

    Professional Drum and Percussion Mic Package

    The DP5MICRO drum pack contains the five microphones required to mic a standard 5-piece drum kit: kick, snare, rack toms and floor tom.
    Perfect for stage or studio, this combination of dynamic mics featuring exclusive Audix VLM TM capsule technology and the MicroD condenser mics offer accurate sound reproduction in very high SPL applications.
    Mic clips, mounts, and rugged aluminum carrying case are included.

    · Professional set of 5 drum mics for stage or studio
    · Mics work in tandem to replicate each drum accurately and independently
    · Easy to set up and position

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    RRP $1,763
    SAVE $264

    $1,499

  • AUDIX ADX-SCX1-HC PROFESSIONAL STUDIO HYPERCARDIOID CONDENSER MICROPHONE

    The SCX1 is a professional studio Cardioid condenser microphone designed for a wide variety of recording, broadcast, and live sound applications.

    Known for its high sensitivity, pin-point accuracy, low profile, and consistency, the SCX1 is also available with Hypercardioid (model SCX1HC) or Omnidirectional (model SCX1O) capsules.

    With a smooth uniform frequency response from 40 Hz – 20 kHz, the SCX1 is very consistent when responding to on and off-axis signals, and exhibits excellent phase coherence and minimal proximity effect. The SCX1 is characterized by a wide Cardioid polar pattern; this, coupled with the High Output and sensitivity of the microphone, makes the SCX1 an ideal choice for miking overhead, drums, instruments, room ambiance, orchestral sections, stringed instruments, piano, vibes, and sound effects. The SCX1HC condenser microphone is a number one choice for miking hi-hat both live and in the studio.

    Other features include a 21 mm gold vapor capsule, Miniaturized electronics, and an extremely small footprint. The SCX1 will handle sound pressure levels of 130 dB and will provide up to 20 dB of ambient noise rejection. In addition to acoustic instruments, the SCX1 is an excellent choice for group vocals, speech, or Foley work. The SCX1HC has become a popular choice for interior dialogue boom pole miking. It has a precision machined brass body, interchangeable capsules, Black multi-layer class ‘A’ liquid finish, and a gold-plated XLR connector. The SCX1 studio condenser microphone is manufactured to exacting standards and tight tolerances.

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    RRP $1,292
    SAVE $193

    $1,099

  • AUDIX ADX-F5 FUSION DYNAMIC INSTRUMENT MIC FOR SNARE / CABS

    AFFORDABLE DYNAMIC INSTRUMENT MICROPHONE

    The Fusion Series microphones represent affordable excellence.

    The f5 dynamic instrument microphone is an ideal choice for snare, toms, percussion, and acoustic instruments in live and studio applications. A Hypercardioid pick-up pattern helps to minimize feedback and isolate the instrument from ambient sound.

    The f5’s low impedance and balanced output allow interference-free performance.

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    RRP $163
    SAVE $24

    $139

  • SPL CHANNEL ONE MK3

    The perfect front-end for the modern producer.

    For over 20 years, Channel One has been a synonym for a high-quality and extremely musical recording and mixing channel strip.

    In the newest Mk3 version, this classic has been thoroughly revised and, in addition to a higher internal audio voltage (now +/-18 V) for even better, more detailed sound, a further improved preamplifier section, an integrated Transient Designer, a Tube Saturation stage and a Mic A/B comparison option for two microphones and other great features that raise the modern recording and mixing studio to a new level of quality. With de-esser, compressor and equalizer, all the important tools of a real channel strip are still on board. Whether it’s a microphone, line, or instrument signal, the Channel One Mk3 makes any source sound like a professionally recorded signal.

    The new design of the SPL Studio Series perfectly highlights the sonic qualities of this 3rd generation Channel One.

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    RRP $4,704
    SAVE $705

    $3,999

  • AUDIX ADX-M1280B-S MINIATURIZED CONDENSER MIC SHOTGUN

    M1280 Shotgun

    The M1280B, a Miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280B condenser microphone is equipped with a Cardioid capsule and is also available with Hypercardioid, Omnidirectional, or Shotgun capsules. The M1280B has a very Wide Frequency response and may be used in a wide variety of stage, studio, and broadcast applications.

    The M1280B Miniaturized condenser microphone is available with a wide array of clips and accessories allowing the microphone to be used for drums, percussion, musical instruments, overhead stage miking, podiums, conferences, and presentations.

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    RRP $987
    SAVE $148

    $839

  • SPL P8 Microphone Preamp

    Eight-channel microphone preamplifer with discrete technology

    P8 is equipped with eight identically designed microphone preamplifers. All eight preamps have a discrete design – without ICs, made of individual transistors. This is typical for absolute high-end preamplifers and is one of the main reasons for the outstanding sound.

    Besides an analog gain control for adjusting the preamplifcation, each of the eight preamps features an individually switchable phantom power supply (48 V), a PAD switch, a phase inversion function and a switchable analog high-pass filter.

    With the optional eight-channel ADAT converter, the purely analog P8 can be digitally connected to an audio interface.

    P8 paves the way for high-quality multi-channel recording sessions.

     

    RRP $3,998
    SAVE $599

    $3,399

  • RODE M1 Live Performance Dynamic Microphone

    With rock-solid build quality and a high-power neodymium capsule, the RØDE M1 live dynamic microphone is designed to provide the very best performance, night after night. Its durability is backed-up by a lifetime warranty, following registration of purchase.

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    RRP $199
    SAVE $30

    $169

  • AUDIX ADX-A131 LARGE DIAPHRAGM CONDENSER MICROPHONE

    LARGE DIAPHRAGM STUDIO CONDENSER MICROPHONE

    The A131 is a large-diaphragm condenser microphone ideal for vocals, choir, piano, acoustic instruments, and overheads. Featuring a contemporary, compact design, the A131 is the perfect choice for podcasting, professional audio production, studios, and live stage performances.

    Features

    • Large 33 mm condenser capsule
    • Cardioid Polar Pattern
    • Proprietary internal shock mount
    • Low noise preamp circuitry
    • Designed, machined, assembled, and tested in the USA

    What's in the box?

    • 1x A131 Microphone
    • 1x Protective zippered carrying case
    • 1x DCLIP Heavy-duty nylon molded snap-on clip
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    RRP $881
    SAVE $132

    $749

  • Peavey CM1 Handheld Condenser Microphone with XLR-XLR Cable

    The Peavey CM1 is a handheld condenser microphone with a cardioid polar response ideal as a main or support microphone in studio and live applications. The Peavey CM1 is suited for recording engineers looking for affordable, high quality recording mics. The CM1 contains a medium-format condenser element designed to handle SPL levels up to 136 dB while maintaining a clean, natural sound. It has a sensitivity of -43 dBv per pascal and a low noise floor, equivalent to only 24 dB SPL. The built-in shock mount reduces handling noise considerably, making the CM1 ideal for close-range vocal or instrument pickup. The frequency response is tailored to give a crisp, clean, intelligible sound from 50 Hz to 16 kHz. The CM1 is equipped with a dual-layer pop filter to reduce pops and wind noise. Learn More
    $199

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